Who Is Joan Baez?

Joan Baez first became known to the wider public as a distinctive folk singer after performing at the 1959 Newport Folk Festival. After releasing her debut album in 1960, she became known for topical songs promoting social justice, civil rights and pacifism. Baez also played a critical role in popularizing Bob Dylan, with whom she dated and performed regularly in the mid-1960s. Baez's most popular songs over the years have included "We Shall Overcome," "It's All Over Now Baby Blue," "The Night They Drove Old Dixie Down" and "Diamonds and Rust." With an enduring career, she has continued to record and perform into the 2000s.

Background and Early Career

Joan Baez was born on January 9, 1941, in Staten Island, New York, in a Quaker household, her family eventually relocating to the Southern California area. Of Mexican and Scottish descent, Baez was no stranger to racism and discrimination. But that did not stop her from pursuing her natural musical talents. She became a vocalist in the folk tradition and was a crucial part of the music genre's commercial rebirth in the 1960s, devoting herself to the guitar in the mid-1950s.

Two years after her family moved to Cambridge, Massachusetts so that her professorial father could join the faculty of MIT, Baez enrolled at Boston University’s theater school, greatly disliking the experience and flunking her courses. She eventually delved into the city's burgeoning folk scene, later citing artists like Harry Belafonte, Odetta (Baez referred to the singer as her “goddess” in a 1983 Rolling Stone interview) and Pete Seeger as major influences. Soon Baez became a regular performer at local clubs and eventually got her big break via an appearance at the 1959 Newport Folk Festival, invited onstage by singer/guitarist Bob Gibson.

Debut and Bob Dylan

In 1960 Baez released her self-titled debut album on Vanguard Records, featuring tracks like “House of the Rising Sun” and “Mary Hamilton.” Baez became renowned for her distinctive voice while receiving press billing that she would see as evoking the Virgin Mary/Madonna archetype. She released several albums during the first half of the decade, followed by more studio outings like Farewell, Angelina (1965) and Noel (1966).

Not long after her debut dropped, she met the then-unknown singer/songwriter Bob Dylan. Baez was a pivotal force in helping Dylan gain access to the thriving folk scene; in turn, performing his songs gave her a form of artistic expression that synced with her hands-on activism. The duo had a romantic relationship for a time, though the union had reached its end by the 1965 tour, which resulted in Dylan refusing to invite Baez onstage. (He later apologized for his behavior.)

Staunch Activism

The 1960s were a turbulent time in American history, and Baez often used her music to express her social and political views. Baez thus became an established, revered folk artist who used her voice for widespread change. She sang "We Shall Overcome" at the March on Washington in 1963 that featured the iconic words and leadership of Dr. Martin Luther King, Jr. A revered anthem of the Civil Rights Movement, “We Shall Overcome” also became a top 40 hit for Baez in the U.K. in 1965. She achieved her first top 10 single in Great Britain later that year with “There But for Fortune,” also finding success with the Dylan-penned tune “It’s All Over Now Baby Blue.”

In addition to supporting civil rights as an artist and worker, Baez participated in university free-speech efforts led by students and the antiwar movement, calling for an end to the conflict in Vietnam. Beginning in 1964, she would refuse to pay part of her taxes to protest U.S. military spending for a decade. Baez was also arrested twice in 1967 in Oakland, California, for blocking an armed forces induction center.

Broader Success in the '70s

Baez continued to be active politically and musically in the 1970s. She helped establish the west coast branch of Amnesty International, a human rights organization, and released numerous albums, signing with A&M and branching out beyond folk. The decade also brought Baez big chart success with a remake of the Band’s “The Night They Drove Old Dixie Down,” which in 1971 became a top 10 hit in the U.K. and a top 5 hit in the U.S.

In 1975, Baez released the acclaimed Diamonds & Rust, which featured the top 40 title track that delved into her relationship with Dylan. The album also offered other songs penned by Baez like “Winds of the Old Days” and the Joni Mitchell-duet “Dida” as well as a remake of a Stevie Wonder tune, “Never Dreamed You’d Leave in Summer.” She rounded out the decade with Gulf Winds (1976), Blowin’ Away (1977) and Honest Lullaby (1979).

Recording Into the New Millennium

While the ‘80s and ‘90s were a time where Baez reflected on her place in a trendy musical landscape that often didn’t honor folk, she nonetheless continued to perform at benefits and fundraisers for social and political causes around the world. She also maintained her recording output with albums like Speaking of Dreams (1989) and Ring Them Bells (1995). Her first album of the new millennium was 2003’s Dark Chords on a Big Guitar, followed up by a collection of live tracks in 2005 on Bowery Songs, featuring tracks by Dylan and Woody Guthrie as well as traditional folk. Baez was honored with a Grammy Lifetime Achievement Award in 2007. Baez released Day After Tomorrow, her 24th studio album, in 2008, with the project produced by Steve Earle.

In January 2016, Baez hosted a concert at New York’s Beacon Theatre in honor of her 75th birthday, with an array of guests like Judy Collins, David Crosby, Mary Chapin Carpenter, Jackson Browne, the Indigo Girls and Paul Simon. The event was released as an album later in the year.

Personal Life

Baez wed David Harris in 1968, and the two had a son, Gabriel. Harris was at the forefront of protests against the Vietnam War draft, and was jailed for some time for refusing to be drafted. The couple divorced in 1972 a few months after Harris’ release.

A regular meditator, Baez has openly spoken of her dating history and went into psychotherapy for years to grapple with issues around focused relationships. “I was terrified of any intimacy. That’s why 5,000 people suited me just fine,” Baez said in a 2009 Telegraph interview. “But one-on-one, it was either completely transient—after the concert and be gone next day, and then my participation would make me sick—or it was something that I thought was real but just turned out to be heartbreaking.” Baez, having been romantically linked to Mickey Hart and for a short time to Kris Kristofferson and Steve Jobs, has increasingly made peace with her relationship history.

Baez has released the memoirs Daybreak (1968) and A Voice to Sing With (1987). In 2009, PBS also released an American Masters documentary on Baez’s life, How Sweet the Sound.

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  • Name: Joan
  • Birth Year: 1941
  • Birth date: January 9, 1941
  • Birth State: New York
  • Birth City: Staten Island
  • Birth Country: United States
  • Gender: Female
  • Best Known For: Joan Baez is an American folk singer, songwriter and activist who is best known for songs like 'There But for Fortune,' 'The Night They Drove Old Dixie Down' and 'Diamonds and Rust.'
  • Industries
    • Civil Rights
    • Music
  • Astrological Sign: Capricorn
  • Schools
    • Boston University

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  • Article Title: Joan Baez Biography
  • Author: Biography.com Editors
  • Website Name: The Biography.com website
  • Url: https://www.biography.com/musician/joan-baez
  • Access Date:
  • Publisher: A&E; Television Networks
  • Last Updated: July 9, 2020
  • Original Published Date: April 2, 2014


  • I said in concert once, 'In my humble opinion...' and burst out laughing. I've never had a humble opinion in my life. If you're going to have one, why bother to be humble about it?
  • I haven’t changed my mind. That expression from somebody, that if you were radical when you are young, you can count on being conservative when you are older – I’d say I’m happy that hasn’t been the case.
  • [Pete] Seeger really was the example for me. He was the one who mixed the politics and the music. The music couldn’t have done it without the politics. I’d say now, the places in the world that I feel most at home are the ones I feel are in struggle, and I have been associated with them and have worked with them.
  • ...I think I owe it to the public to keep doing shows. More than that I owe it to myself and the voice. I am gifted in a lot of things, like painting and writing, but I think the greatest gift to me was my voice. There wasn’t one like it before and there won’t be another one like it again.
  • Women in most poverty-stricken countries take the brunt of everything. They take care of the family. If anybody paid them anything, they keep it, because their husbands would just drink it away. They want to put their kids through school. Women are extraordinary! I’ll say that, no question.
  • I was aware that my relationships didn’t last, but I was going round in circles trying to work out what the problem was. I came to the answer through therapy. My therapist sent me to all sorts of places in an attempt to make me dig it up – art, dance – until we got there.
  • I was scared of intimacy. Many, many people have the same problem because when you are intimate that is when you open yourself up to another person. I was always looking for a way out. It wasn’t that I turned to cigarettes or drugs. I turned to something that I want to do (activism) and I was lucky that I was able to do good for other people. I was 50 when I decided I wasn’t going to live like that any more.
  • If people have to put labels on me, I’d prefer the first label to be human being, the second label to be pacifist, and the third to be folk singer.
  • It'll always be this way. I'm not interested in talking about music. If there's a choice between people picking and singing in one room and a group of mothers of disappeared Argentinians in another room, I'm gonna go and talk to the mothers.
  • The foundation of my beliefs is the same as it was when I was 10. Nonviolence.
  • ...I had a lovely time at Woodstock. ...you saw all the big bands and their equipment, and yet they still let the little pregnant virgin walk out there with her guitar and do her thing. It was wonderful. I mean, it wasn't any f***ing revolution; it was a three-day period during which people were decent to one another because they realized that if they weren't, they'd all get hungry.