Quick Facts
- NAME: Vanessa Redgrave
- OCCUPATION: Film Actress
- BIRTH DATE: January 30, 1937 (Age: 75)
- PLACE OF BIRTH: London, England
- ZODIAC SIGN: Aquarius
Best Known For
Called “the greatest actress of our time” by Tennessee Williams, Vanessa Redgrave is an acclaimed actress of stage and screen.
Vanessa Redgrave. (2012). Biography.com. Retrieved 02:01, Feb 10, 2012 from http://www.biography.com/people/vanessa-redgrave-9453603
Vanessa Redgrave [Internet]. 2012. http://www.biography.com/people/vanessa-redgrave-9453603, February 10
" Vanessa Redgrave." 2012. Biography.com 10 Feb 2012, 02:01 http://www.biography.com/people/vanessa-redgrave-9453603
' Vanessa Redgrave', Biography.com,(2012) http://www.biography.com/people/vanessa-redgrave-9453603 [accessed Feb 10, 2012]
" Vanessa Redgrave," Biography.com, http://www.biography.com/people/vanessa-redgrave-9453603 (accessed Feb 10, 2012).
Vanessa Redgrave [Internet]. Biography.com; 2012 [cited 2012 Feb 10]. Available from: http://www.biography.com/people/vanessa-redgrave-9453603.
Vanessa Redgrave, http://www.biography.com/people/vanessa-redgrave-9453603 (last visited Feb 10, 2012).
Vanessa Redgrave, http://www.biography.com/people/vanessa-redgrave-9453603 (last visited Feb 10, 2012).
Synopsis
Vanessa Redgrave made her professional debut in the play A Touch of the Sun (1957). In the late 1960s and early '70s, Redgrave showed her mastery of both classical and commercial fare, winning an Oscar and getting nominated for two more, and more followed. Later a controversial figure because of her political views, Redgrave was called “the greatest actress of our time” by Tennessee Williams.
Profile
(born January 30, 1937, London, England) British actress of stage and screen and longtime political activist.
Called “the greatest actress of our time” by the playwright Tennessee Williams, Vanessa Redgrave came from a legendary theatrical family. Her father, Sir Michael Redgrave, was one of Britain's most popular and respected actors, and her mother, Rachel Kempson, was a noted stage actress. Her sister, Lynn, did both stage and film work—most notably in Georgy Girl (1966) and Shine (1996)—and her brother, Corin, was a successful stage director and actor. Redgrave is also the mother of actresses Natasha and Joely Richardson from her marriage in the 1960s to director Tony Richardson.
Redgrave made her professional debut in the play A Touch of the Sun (1957), in which she costarred with her father. She appeared in her first film, Behind the Mask, in 1958 but concentrated mostly on stage work throughout the late '50s and early '60s and was a member of the Royal Shakespeare Theatre in Stratford-upon-Avon during the 1959–60 season. Her film career began in earnest in 1966; within the space of two years, she appeared in four films that established her reputation as an intelligent actress with a commanding presence. The first of her six Academy Award nominations was for Morgan! (1966), her first motion picture in eight years. She then had a role in Michelangelo Antonioni's Blow-Up (1966), a psychological mystery that became a cult favourite. Redgrave's unbilled cameo as Anne Boleyn in A Man for All Seasons (1966) and her performance as Guinevere in Camelot (1967) further secured her status as one of the most popular and respected actresses of the era.
In the late 1960s and early '70s Redgrave showed her mastery of both classical and commercial fare. She received an Oscar nomination for her portrayal of dancer Isadora Duncan in Isadora (1968), and she appeared as Nina in Sidney Lumet's adaptation of Anton Chekhov's The Sea Gull (1968). In 1971 Redgrave took on the role of Andromache in The Trojan Women and received another Oscar nomination for her work as the title character in Mary, Queen of Scots, playing opposite Glenda Jackson's Queen Elizabeth I. Redgrave also appeared in such popular mainstream vehicles as Murder on the Orient Express (1974) and The Seven-Per-Cent Solution (1976), and she won an Oscar for best supporting actress for her performance in Julia (1977).
During the following two decades, Redgrave eschewed popular fare in favour of smaller films with well-written scripts or classical overtones.
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