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Gene Kelly biography

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Quick Facts

  • PLACE OF BIRTH: Pittsburgh, Pennsylvania
  • PLACE OF DEATH: Beverly Hills, California
more about Gene

Best Known For

Gene Kelly was a dancer whose athletic style transformed the movie musical and did much to change the American public's conception of male dancers.


Synopsis

Born on August 23, 1912, in Pittsburgh, Pennsylvania, Gene Kelly was an American film director whose athletic style and classical ballet technique transformed the movie musical. Directing, he boldly blended solo dancing, mass movement, offbeat camera angles, and vibrant colors to tell a story in purely visual terms, and his Singin' in the Rain is regarded as the best dance film ever made.

Contents

Quotes

"I didn't want to be a dancer. What I really wanted to be was shortstop for the Pittsburgh Pirates. The Pittsburgh Pirates lost a hell of a shortstop."
– Gene Kelly

Profile

(born August 23, 1912, Pittsburgh, Pennsylvania, U.S.—died February 2, 1996, Beverly Hills, California) American dancer, actor, choreographer, and motion picture director whose athletic style of dancing, combined with classical ballet technique, transformed the movie musical and did much to change the American public's conception of male dancers.

One of five children born to a record company sales executive and a former actress, Kelly dreamed of becoming a professional athlete, but was redirected into dancing by his mother. He majored in journalism at Pennsylvania State College (now University) and economics at the University of Pittsburgh (A.B., 1933), but the allure of performing proved too strong to resist. He toured in vaudeville with his brother Fred (later a prolific stage and television director), and for several years ran a successful dancing school in Pittsburgh. In 1938 he moved to New York City and won a role as a chorus member in Cole Porter's Leave It to Me, figuring prominently in star Mary Martin's showstopping number “My Heart Belongs to Daddy.” The following year he was cast in the flashy role of Harry the Hoofer in William Saroyan's Pulitzer Prize-winning play The Time of Your Life and in 1940 he achieved stardom with his likeable interpretation of the raffish protagonist in the Rodgers and Hart musical drama Pal Joey. Before leaving New York in 1941, he also choreographed the hit musicals Billy Rose's Diamond Horseshoe (1940) and Best Foot Forward (1941).

Invited to Hollywood by Metro-Goldwyn-Mayer in 1942, he made his film debut opposite Judy Garland in For Me and My Gal, immediately endearing himself to moviegoers with his carefree acting and spontaneous, athletic dancing style. But it was not until he was loaned to Columbia Pictures to costar in the Rita Hayworth musical Cover Girl (1944) that he was able to bring his own special artistic vision to the big screen. Before Kelly's arrival, the movie musical had been divided into essentially two basic styles: the splashy, impersonal, girl-filled extravaganzas of Busby Berkeley and the intimate personality vehicles of Fred Astaire. Kelly adroitly bridged the gap between Berkeley's cinematic pyrotechnics and Astaire's straightforward theatrical approach with Cover Girl's “Alter Ego” number, in which, with the aid of meticulously timed special-effects work, he performed a two-man “challenge dance” with himself. He introduced another innovation in Anchors Aweigh (1945), when he danced with an animated-cartoon mouse, and in The Pirate (1948) he staged the first of his many filmed ballets, boldly

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