- NAME: Count Basie
- OCCUPATION: Songwriter, Pianist
- BIRTH DATE: August 21, 1904
- DEATH DATE: April 26, 1984
- Did You Know?: In 1958, Count Basie became the first African-American male recipient of a Grammy Award.
- PLACE OF BIRTH: Red Bank, New Jersey
- PLACE OF DEATH: Hollywood, Florida
- AKA: William Basie
- AKA: Count Basie
- Full Name: William James Basie
- AKA: William Allen Basie
Best Known For
One of jazz music's all-time greats, bandleader/pianist Count Basie was a primary shaper of the big-band sound that characterized mid-20th century popular music.
Think you know about Biography?
Answer questions and see how you rank against other players.Play Now
Count Basie was born on August 21, 1904, in Red Bank, New Jersey. A pianist, he played vaudeville before eventually forming his own big band and helping to define the era of swing with hits like "One O'Clock Jump" and "Blue Skies." In 1958, Basie became the first African-American male recipient of a Grammy Award. One of jazz music's all-time greats, he won many other Grammys throughout his career and worked with a plethora of artists,
"Of course, I wanted to play real jazz. When we played pop tunes—and, naturally, we had to—I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch."
"For a smaller band, the Savoy Sultans had a great swing thing going. Then, as far as this guy Ellington is concerned, you can never tell what he's going to do. I mean, he'll concert you all, and then he'll swing you all, too, you understand, when he's ready to. He's not limited to anything."
"The Blue Devils was the first big band I ever had a chance to get close to and really listen to, and it was the greatest thing I had ever heard. I had never heard the blues played like that."
including Joe Williams and Ella Fitzgerald. Basie died in Florida on April 26, 1984.
The jazz legend known as Count Basie was born William James Basie (with some sources listing his middle name as "Allen") on August 21, 1904, in Red Bank, New Jersey. His father Harvey was a mellophonist and his mother Lillian was a pianist who gave her son his first lessons. After moving to New York, he was further influenced by James P. Johnson and Fats Waller, with Waller teaching Basie organ-playing techniques.
Basie played the vaudevillian circuit for a time until he got stuck in Kansas in the mid-1920s after his performance group disbanded. He went on to join Walter Page's Blue Devils in 1928, which he would see as a pivotal moment in his career, being introduced to the big-band sound for the first time.
He later worked for a few years with a band led by Bennie Motten, who died in 1935. Basie then formed the Barons of Rhythm with some of his bandmates from Motten's group, including saxophonist Lester Young. With vocals by Jimmy Rushing, the band set up shop to perform at Kansas City's Reno Club.
During a radio broadcast of the band's performance, the announcer wanted to give Basie's name some pizazz, keeping in mind the existence of other bandleaders like Duke Ellington and Earl Hines. So he called the pianist "Count," with Basie not realizing just how much the name would catch on as a form of recognition and respect in the music world.
Producer John Hammond heard the band's sound and helped secure further bookings. After some challenges, the Count Basie Orchestra had a slew of hits that helped to define the big-band sound of the 1930s and '40s. Some of their notable songs included "One O'Clock Jump"—the orchestra's signature tune which Basie composed himself—and "Jumpin' at the Woodside."
With the group becoming highly distinguished for its soloists, rhythm section and style of swing, Basie himself was noted for his understated yet captivating style of piano playing and precise, impeccable musical leadership. He was also helming one of the biggest, most renowned African-American jazz groups of the day.
Due to changing fortunes and an altered musical landscape, Basie was forced to scale down the size of his orchestra at the start of the 1950s, but he soon made a comeback and returned to his big-band structure in 1952, recording new hits with vocalist Joe Williams and becoming an international figure. Another milestone came with the 1956 album April in Paris, whose title track contained psyche-you-out endings that became a new band signature.
profile name: Count Basie profile occupation:
Sign in with Facebook to see how you and your friends are connected to famous icons.
Your Friends' Connections
Included In These Groups
After the Civil War, many of the country's best and brightest black advocates, artists, entrepreneurs and intellectuals moved to the New York City neighborhood of Harlem. Thanks largely to the efforts of these residents, Harlem became both the cradle of a cultural revolution and the heart of the civil rights movement. Meet some of the many people who gave—and continue to give—this neighborhood a voice, simply by calling it home.
Famous Harlem Residents 62 people in this group
Many African-Americans made their name performing at the Apollo Theater in Harlem, including Ella Fitzgerald, James Brown and Jimi Hendrix. The roster of talented artists who made their careers after a successful amateur night at the Apollo grew so large, that the venue earned a reputation as the place to jump-start the career of an ambitious hopeful. Other performers, like Aretha Franklin and Michael Jackson, came to the theater after experiencing big professional success, adding further credibility to the historic New York concert hall. Explore the biographies of some of the more notable African-Americans who stepped out onto the Apollo stage, making entertainment history.
Apollo Legends 25 people in this group
With its roots in the blues, jazz has been referred to as America's classical music, yet has also become a major global phenomenon, branching off into a variety of forms. Earlier pioneers like Scott Joplin and Jelly Roll Morton paved the way for the swinging big-band sounds of Louis Armstrong and Duke Ellington. In contrast, contemporaries Dizzie Gillespie, Charlie Parker and Thelonious Monk developed bebop, with its speedy, dissonant harmonies and improvisations. And Miles Davis heralded the birth of cool jazz, modal jazz and fusion at different points in his career. Famous jazz instrumentalists have tended to be male, yet women have been at the forefront of the genre when it comes to vocalization, from the brassy blues of Bessie Smith to the haunting eclecticism of Nina Simone.
Famous Jazz Musicians 29 people in this group