- NAME: Tito Puente
- OCCUPATION: Songwriter, Conductor
- BIRTH DATE: April 20, 1923
- DEATH DATE: May 31, 2000
- EDUCATION: The Juilliard School
- PLACE OF BIRTH: New York, New York
- PLACE OF DEATH: New York, New York
- AKA: Ernest Anthony Puente
- Full Name: Ernesto Antonio Puente Jr.
- Nickname: "Musical Pope"
- AKA: Tito Puente
- Nickname: "El Rey de los Timbales"
- Nickname: "King of Latin Jazz"
- Nickname: "King of the Timbales"
- AKA: Ernest Puente
- Nickname: "El Rey"
- Nickname: "The King"
- Nickname: "Sultan of Salsa"
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Tito Puente was a musical pioneer, mixing musical styles with Latin sounds and experimenting in fusing Latin music with jazz.
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Born on April 20, 1923, in New York City, Tito Puente, donned the "King of Latin Jazz," was a pioneering force in Latin music, known for fusing styles and putting a big-band spin on traditional Latin music. In 1948, Puente formed a band that would become known as the Tito Puente Orchestra. A decade later, he released his best-selling album, Dance Mania (1958). His most notable songs include "Babarabatiri," "Ran Kan Kan" and "Oye Como Va." By the end of his decades-long career,
"There's a lot of young people out there who need to develop their talents, and old-timers like me have to give them space."
''I have not taken a vacation in my whole life ... Have you ever known a musician to take a vacation? You know when you're on vacation? When the phone don't ring.''
"It's not only what you learn in the streets—you've really got to go and study."
"In the Latin community, we have a lot of gifted youngsters who don't get an opportunity to develop their talent because of a lack of money. Long after, I'm gone, the fund will be helping kids."
Puente was deemed a musical legend in Latin music and jazz circles. He died in New York City in 2000, at age 77.
Famed jazz composer and bandleader Tito Puente was born Ernesto Antonio Puente Jr. in New York City on April 20, 1923. The son of Puerto Rican immigrants, Puente grew up in New York City's Spanish Harlem and became a professional musician at age 13. He learned to play a number of instruments as a child, beginning with the piano and then moving to percussion, saxophone, vibraphone and timbales (paired high-pitched drums).
After an apprenticeship in the historic Machito Orchestra, Puente was drafted into the U.S. Navy and served during World War II.
Returning to New York in 1945, Puente used money from the G.I. Bill to study at New York City's famed Juilliard School. In 1948, he formed a band that would later become known as the Tito Puente Orchestra. By the 1950s, the band was attracting large crowds and Puente, subsequently, became known as a Latin music sensation.
In 1958, Puente released his best-selling album, Dance Mania, and more hit records soon followed, with notable songs including "Babarabatiri," "Ran Kan Kan" and "Oye Como Va." Fans enjoyed the way Puente put a big band spin on traditional Latin dances, mixing Latin sounds with jazz and other genres. Puente later added other Latin and Afro-Cuban rhythms to his repertoire, including cha-cha, merengue, bossa nova and salsa, and his continuous experimentation and creativity earned him a reputation as a musical pioneer.
Throughout his career, which spanned more than five decades, Puente performed with a number of leading jazz performers, including George Shearing and Woody Herman, as well as with many stars of Latin music. In later years, he performed with many symphony orchestras.
Puente received numerous awards for his work, including five Grammy Awards, the first of which he won in 1979 for the album Homenaje a Beny, a tribute to Benny Moré. (His 1976 album The Legend had been nominated for a Grammy in 1977, and he would receive seven more nominations by the mid-1990s.) Puente went on to garner two more Grammys in the 1980s, for the more traditional Latin jazz albums On Broadway and Mambo Diablo, and picked up a fourth in 1990 for Goza Mi Timbal.
In 1999, Puente was awarded an honorary degree at Columbia University. The following year, he received a Latin Grammy Award (best traditional tropical Latin performance)—his fifth Grammy—for Mambo Birdland.
In addition to music, Puente remained dedicated to causes affecting the Latin community throughout his lifetime.
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