Michelangelo Antonioni biography

Synopsis

Life

Antonioni is recognizably the product of the mild, uneventful plains of northern Italy that form the background for several of his films. Reserved and unexpansive in manner, he has said that the experience most important to his development as a filmmaker and as a man was his upbringing in a settled, bourgeois, provincial home, with a sufficiency of money; a traditional education; a code of reserve and self-discipline; and the leisure and ease necessary for a detached view of people and of life. He attended school in Ferrara and went to the university at Bologna, though he continued to live at home and commuted daily to his studies. As a child his consuming interests were architecture and painting; at the university he studied classics, then economics and commerce. He also began haunting the cinemas and writing film criticism for a newspaper in the neighbouring city of Padua. In 1939 he decided to make the cinema his career.

The obvious place to do this was Rome, where Antonioni soon became a staff member of the magazine Cinema; he also spent some months studying at a film school. What else he did in his 20s (apart from becoming an amateur tennis champion for northern Italy) remains obscure; his first credited film work dates from his 30th year, when he collaborated on the scripts of some major feature films, one of them Roberto Rossellini's Pilota ritorna (1942; A Pilot Returns), and went to France to assist the director Marcel Carné on his wartime production Les Visiteurs du soir (1942; The Devil's Envoys). In 1943 he began to direct his own first film, a short documentary called Gente del Po (People of the Po Valley), but its completion was interrupted by the chaos of Italy's defeat in World War II. For a while Antonioni made his living by translating from the French; he then became film critic of the underground paper Italia libera (“Free Italy”) and wrote some unproduced scripts. Gente del Po finally appeared in 1947; it was followed by six more shorts and then, in 1950, by his first feature, Cronaca di un amore (Story of a Love Affair), a rather bitter romance that immediately established him as a talent to be watched.

After that time, Antonioni's life, to the outside world at least, consisted of little more than the production of films. The landmarks are his first great film, Le amiche (based on a story by the Italian writer Cesare Pavese), in 1955; his first big international success, L'avventura, in 1960; his first film in colour, Deserto rosso (The Red Desert), in 1964; his first full-length English-language