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American Mary Cassatt was one of the leading artists in the Impressionist movement of the later part of the 1800s.
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Born on May 22, 1844, in Allegheny City, Pennsylvania, Mary Cassatt was one of the leading artists in the Impressionist movement of the later part of the 1800s. Moving to Paris, her home for the rest of her life, she was befriended by Edgar Degas. After 1910, her increasingly poor eyesight virtually put an end to her serious painting, and she died in 1926.
"I think that if you shake the tree, you ought to be around when the fruit falls to pick it up."
Artist Mary Stevenson Cassatt was born on May 22, 1844, in Allegheny City, Pennsylvania. Mary Cassatt was the daughter of a well-to-do real estate and investment broker, and her upbringing reflected her family's high social standing. Her schooling prepared her to be a proper wife and mother and included such classes as homemaking, embroidery, music, sketching and painting. During the 1850s, the Cassatts took their children abroad to live in Europe for several years.
Though women of her day were discouraged from pursuing a career, Mary Cassatt enrolled in Philadelphia's Pennsylvania Academy of the Fine Arts at age 16. Not surprisingly, she found the male faculty and her fellow students to be patronizing and resentful of her attendance. Cassatt also became frustrated by the curriculum's slow pace and inadequate course offerings. She decided to leave the program and move to Europe where she could study the works of the Old Masters on her own, firsthand.
Despite her family's strong objections (her father declared he would rather see his daughter dead than living abroad as a "bohemian"), Mary Cassatt left for Paris in 1866. She began her study with private art lessons in the Louvre, where she would study and copy masterpieces. She continued to study and paint in relative obscurity until 1868, when one of her portraits was selected at the prestigious Paris Salon, an annual exhibition run by the French government. With her father's disapproving words echoing in her ears, Cassatt submitted the well-received painting under the name Mary Stevenson.
In 1870, soon after the outbreak of the Franco-Prussian War, Mary Cassatt reluctantly returned home to live with her parents. The artistic freedom she enjoyed while living abroad was immediately extinguished upon her return to the outskirts of Philadelphia. Not only did she have trouble finding proper supplies, but her father refused to pay for anything connected with her art. To raise funds, she tried to sell some of her paintings in New York, but to no avail. When she tried again to sell them through a dealer in Chicago, the paintings were tragically destroyed in a fire in 1871.
In the midst of these obstacles, Cassatt was contacted by the archbishop of Pittsburgh. He wanted to commission the artist to paint copies of two works by the Italian master Correggio. Cassatt accepted the assignment and left immediately for Europe, where the originals were on display in Parma, Italy. With the money she earned from the commission, she was able to resume her career in Europe. The Paris Salon accepted her paintings for exhibitions in 1872, 1873 and 1874, which helped secure her status as an established artist.
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Derived from Claude Monet's piece entitled Impression, the term "impressionism" was created to describe the work of a select group of Parisian painters in the late 19th century. With their thin brush strokes and explosion of color and lighting on mundane subjects, impressionists painters like Monet, Mary Cassatt, and Alfred Sisley confounded critics, defied conventions, and sparked scandal. A century and a half later, they are among the most revered and influentional artists of all time.
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