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Isabel Sanford was an American actress, best known for her role as Louise "Weezy" Jefferson on the hit TV sitcoms All in the Family and The Jeffersons.
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she continued to act and the show remained in syndication.
While she had some theater and singing experience over the years, Isabel Sanford did not make her stage debut until 1946 and her Broadway debut occurred nearly twenty years later with a supporting role as Sister Moore in the 1965 production of The Amen Corner by James Baldwin. This led to the part of Tillie, the outspoken housekeeper, in Guess Who's Coming to Dinner? (1967). Directed by Stanley Kramer, the film examined the drama surrounding an interracial relationship when a white daughter (Katherine Houghton) brings her African American fiancé (Sidney Poitier) to meet her parents (Spencer Tracy and Katharine Hepburn).
Around this time, Isabel Sanford also made numerous television appearances on such shows as Bewitched, The Mod Squad, and The Carol Burnett Show. In 1971, she landed a role on All in the Family, a controversial comedy created by Norman Lear. Sanford and Sherman Hemsley played Louise and George Jefferson, neighbors to Edith and Archie Bunker (Jean Stapleton and Carroll O'Connor). While the characters of Edith and Louise became friends, Archie and George clashed. Both characters were blustery and opinionated. Audiences liked the Jeffersons so much that they got their own series in 1975. George found success with a chain of dry cleaning stores and the family, including son Lionel, moved to New York City's East Side "to a deluxe apartment in the sky," as the show's theme song went.
The Jeffersons broke new ground in many ways. It was one of the few shows to have a predominantly African American cast and focused on an affluent black family. It also didn't shy away from racial issues. Their neighbors included a mixed-race couple, Tom and Helen Willis (played by Franklin Cover and Roxie Roker)-the first depiction of a white and black couple on prime time television. One of the show's strengths, however, was its ability to translate color barriers.
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As women were developing roles outside the home for the first time, TV moms also began playing characters that were relatable to real-life moms. Mary Tyler Moore became America's favorite working woman—30, single and living on her own—on The Mary Tyler Moore Show. As laws changed the racial dynamics of the country, Esther Rolle portrayed the hard-working matriarch of an urban black family on Good Times. Some even chose to remarry like Bea Arthur in Maude...who was on her fourth husband.
TV Moms: 1970s 11 people in this group
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