When San Antonio real estate investors Armando and David Montelongo buy a house once owned by a Hollywood actor they think they've got an easy flip. Sure, the house feels like a '60s time capsule, but a simple update is nothing for these veteran flippers to overcome. Soon enough, unforeseen problems arise. Foundation issues, contractor squabbles and a serious bee infestation stretch the brothers' budget--and sanity--to the limit. Meanwhile, David's wife Melina has her own challenge to overcome when Armando gives her a tough public relations assignment and a nonexistent budget. It all comes down to the final sale... will the "Movie Star House" be a blockbuster or a flop?
Scott agrees to team up with the twins to flip a house that is filled with apocalypse prepping gear, which soon becomes a nightmare as Scott finds himself caught in the middle of fights with everyone... including the preppers.
Dave finds a hot new listing but puts it on hold to help Peter out of a bind. A unit in Peter's three-family rental was trashed by the previous tenant and will continue to lose money without some TLC. Dave agrees to lend a hand, but when Peter's inspection of the exterior reveals a much larger scope of work, Dave's quick favor becomes a complete headache. Saddled with a novice assistant, a pushy upstairs tenant, and a deal about to slip through the cracks, will Dave make it through before he cracks up?
A good editor has a keen eye for truth and the ability to strip away extraneous noise to let that truth shine through. In the pages of newspapers and magazines, female editors have spoken out on weighty issues like abolition and women's suffrage, and given us the literally weighty September issues of Vogue. Mary Ann Shadd Cary gave a voice to freed slaves in the weekly Provincial Freemen, Susan B. Anthony’s newspaper Revolution fueled just that, and Dorothy Day’s The Catholic Worker tackled important topics in an effort to improve society as a whole. Television’s 60 Minutes set new standards for investigative journalism, thanks to the Emmy-winning work of Lesley Stahl. From abolitionists and suffragettes to the religious and the radical, these female editors told their stories and shaped our worldview.
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