In 2006, at the peak of the housing boom, a three-bedroom house in a well-established middle class area of south Los Angeles, sold for $550,000. The same property is currently in foreclosure and Rudy offers the bank $170,000 cash--offer accepted. Rudy can handle the shoddy roof and crooked foundation, but when the US Marshals show up at the house across the street to investigate a possible foreclosure scam, it doesn't bode well for the neighborhood. Add to that a misplaced gas meter that requires several weeks to negotiate city permits, late nights working at his restaurant and Rudy wonders whether the big profit potential is worth the trouble.
Scott purchases a hoarder's house that should be the easiest flip of his career, but his plan to simply clean out the junk then immediately relist the property gets foiled when Amie insists on elaborate upgrades.
Winter is approaching and Dave doesn't want to spend it flipping an old lady house with a leaky roof so he persuades Pete to take on a quick condo flip instead. Pete's jaw hits the floor when he see the tiny space--it's only 350 square feet! But once the creative juices start to flow Pete has visions of turning the boxy studio into a sleek bachelor pad with all mod cons. The boys set the clock for one week but the tight quarters prove challenging for the big personalities on Pete and Dave's crew. While Dave is busy scheming to off-load the old lady house tempers start to fray at the condo and soon the sparks are flying. Can Pete and Dave hold the crew together long enough to get their bachelor pad on the market?
They've set their instruments on fire, broken them over their heads, played them behind their backs, learned how to make them screech, and—above all—shown the world what it means to truly rock a guitar. Here is a group of some of the most legendary guitarists of the modern era.
Bond—James Bond—was introduced to movie fans with the release of the first 007 film, Dr. No, in 1962. The past five decades of James Bond films have included a gamut of soundtrack artists, including Paul McCartney & Wings, who performed the song "Live and Let Die" for the Bond film of the same name; Shirley Bassey, who sang tracks for the films Diamonds Are Forever and Goldfinger; Jack White and Alicia Keys, who performed "Another Way to Die" for Quantum of Solace; Gladys Knight, who sang the title track for License to Kill; Louis Armstrong, who performed "We Have All the Time in the World" (secondary theme) for On Her Majesty's Secret Service; and Adele, who sang the title track for the newest film of the Bond franchise, Skyfall.
When musicians land big fame, there typically comes a moment of reinvention in which the "rock star" identity is born. This new persona often requires a new name, a way to differentiate between the private and public versions of themselves. Musical monikers take different forms, from the simple, last-name changes aimed at boosting celebrity appeal—like Steven Tyler—to the glamorized version of a childhood nickname—like Jay-Z. Musicians' nicknames and aliases tend to take on an identity all their own over time, often becoming as full of personality as the artists they represent.
They make music with instruments they were born with - their voices. Gifted vocalists have entertained audiences across musical genres from the tour de force arias of Luciano Pavarotti to the classic crooning of Frank Sinatra and Tony Bennett to the soulful vocals of artists like Aretha Franklin and Mahalia Jackson. With their powerful lyricism, singers like Bob Dylan, Willie Nelson and Bruce Springsteen became poet laureates of American music while artists including Joan Baez and Joe Strummer used their voices to prompt social change while they entertained. Rockers from Elvis Presley to The Beatles to Kurt Cobain helped define their generations through their songs while icons like Michael Jackson, Cher and Whitney Houston shaped pop culture with their larger-than-life voices and personas. See these and more famous singers who have struck a chord in musical history.