After the loss of her true love, Beverly is tormented by evil spirits bent on her destruction. Charlene purchases a home haunted by a murdered woman who frightens her, while trying to protect Charlene from her manager. While singer Jimmy Wayne struggles to compose his masterpiece, he encounters the spirit of a country music legend who lends a helping hand.
World-renowned psychic-medium Kim Russo gives us an exclusive look at celebrities who have had their lives changed by paranormal events. For the first time in years, Eric Mabius (Resident Evil, Ugly Betty) returns to Allaire Village to confront the ghost he saw when he was a child. Eric and Kim explore Allaire Village and uncover secrets from the past.
They've set their instruments on fire, broken them over their heads, played them behind their backs, learned how to make them screech, and—above all—shown the world what it means to truly rock a guitar. Here is a group of some of the most legendary guitarists of the modern era.
Bond—James Bond—was introduced to movie fans with the release of the first 007 film, Dr. No, in 1962. The past five decades of James Bond films have included a gamut of soundtrack artists, including Paul McCartney & Wings, who performed the song "Live and Let Die" for the Bond film of the same name; Shirley Bassey, who sang tracks for the films Diamonds Are Forever and Goldfinger; Jack White and Alicia Keys, who performed "Another Way to Die" for Quantum of Solace; Gladys Knight, who sang the title track for License to Kill; Louis Armstrong, who performed "We Have All the Time in the World" (secondary theme) for On Her Majesty's Secret Service; and Adele, who sang the title track for the newest film of the Bond franchise, Skyfall.
When musicians land big fame, there typically comes a moment of reinvention in which the "rock star" identity is born. This new persona often requires a new name, a way to differentiate between the private and public versions of themselves. Musical monikers take different forms, from the simple, last-name changes aimed at boosting celebrity appeal—like Steven Tyler—to the glamorized version of a childhood nickname—like Jay-Z. Musicians' nicknames and aliases tend to take on an identity all their own over time, often becoming as full of personality as the artists they represent.