In 2006, at the peak of the housing boom, a three-bedroom house in a well-established middle class area of south Los Angeles, sold for $550,000. The same property is currently in foreclosure and Rudy offers the bank $170,000 cash--offer accepted. Rudy can handle the shoddy roof and crooked foundation, but when the US Marshals show up at the house across the street to investigate a possible foreclosure scam, it doesn't bode well for the neighborhood. Add to that a misplaced gas meter that requires several weeks to negotiate city permits, late nights working at his restaurant and Rudy wonders whether the big profit potential is worth the trouble.
Scott purchases a hoarder's house that should be the easiest flip of his career, but his plan to simply clean out the junk then immediately relist the property gets foiled when Amie insists on elaborate upgrades.
Winter is approaching and Dave doesn't want to spend it flipping an old lady house with a leaky roof so he persuades Pete to take on a quick condo flip instead. Pete's jaw hits the floor when he see the tiny space--it's only 350 square feet! But once the creative juices start to flow Pete has visions of turning the boxy studio into a sleek bachelor pad with all mod cons. The boys set the clock for one week but the tight quarters prove challenging for the big personalities on Pete and Dave's crew. While Dave is busy scheming to off-load the old lady house tempers start to fray at the condo and soon the sparks are flying. Can Pete and Dave hold the crew together long enough to get their bachelor pad on the market?
The "high, lonesome" style that defines the bluegrass sound comes from the experiences of the music's original composers, the Scots-Irish immigrants of Appalachia. Early bluegrass musician Lester Flatt brought the sound of the genre into the popular lexicon in 1948, when he helped found The Foggy Mountain Boys. He was joined by fellow musician Earl Scruggs, who expertly picked his banjo in the three-finger style that is carried on in the music of bluegrass great Ricky Skaggs. In the late 20th and early 21st centuries, Alison Krauss snagged more than 26 Grammy awards for putting a contemporary twist on the music of her bluegrass predecessors—proof that the genre still resonantes with listeners.
Today's country stars run the gamut in terms of musical style, blending classic country sounds with bluegrass, pop and rock, among other genres. Explore our group of contemporary country stars to learn more about musicians like Emmylou Harris, Brad Paisley, Reba McEntire, Vince Gill, Carrie Underwood, Keith Urban, Jennifer Nettles, Blake Shelton and Miranda Lambert.
When it comes to singing about struggle and emotion, there are few genres that match the intensity of country music. Country music was born from musicians that were brave enough to wear their hearts on their sleeves from happiness to heartache. Because of country icons like Johnny Cash, Dolly Parton and Jimmie Rodgers, this southern, soulful genre has grown to become loved by many. Browse through the legends that established country music as the popular genre that it is today.
A uniquely American genre, country music got its start in the South in the early 19th century, when immigrants blended their Old World sounds with African-American musical styles. But it was the lives of the musicians, as told in their songs, that turned country into one of the best-loved musical styles in the United States. Listeners could relate to Jimmie Rodgers' stories of the railroad in "The Brakeman's Blues"; Hank Williams' struggle with depression in tunes such as "I'm So Lonesome I Could Cry"; and the promise of finding someone to rely on in George Jones' "Walk Through This World With Me." And its the universal struggles of love, loss, joy and longing found in each country song that keeps this music—and its performers—relevant throughout time.
During the 1930s, partly to avoid the hillbilly image and partly owing to Hollywood's romance with the West, country music headed to the range. Western fringe and cowboy hats turned up on many singers onstage, while Gene Autry and Roy Rogers hit the country charts as "The Singing Cowboy" and the "King of the Cowboys," respectively. Autry made it big in Hollywood and on the radio, singing favorites like "Here Comes Santa Claus" and "Frosty the Snowman." Rogers and his wife, "Queen of the West" Dale Evans, also straddled the worlds of music and movies with their Wild West personas.
The association of country music with the wide open spaces of the western United States made such a deep impact on popular culture during this time that it never quite faded from the public perception of the country genre. To this day, Cowboy Country music serves as a reminder of our continued yearning for a life that's beautiful, pastoral and—ultimately—more simple.
The Nashville Sound developed in the late 1950s, when recording studios and artists replaced some of the traditional elements of honky-tonk music with more contemporary pop music sounds. Producer and musician Chet Atkins was one of the genre's inventors, and is credited with bringing country music to a much wider audience. With his smooth voice, Charley Pride is one of country music's few African-American stars—and the only one to be inducted into the Grand Ole Opry. Women were also crucial to the popularity of the Nashville sound, with stars like Tammy Wynette and Loretta Lynne bringing women's perpectives, as well as glamour, to the genre.
Not only did the Nashville Sound influence the sound of country music, but it also helped to establish Nashville, Tennessee, as the country music capital of the world. Thousands of aspiring artists now flock to the city each year, hoping they might be the next big, musical discovery.