Frida Kahlo biography

During their early years together, Kahlo often followed Rivera moved around a lot based on where the commissions that Rivera received were. In 1930, they lived in San Francisco, California,

where Kahlo showed her painting Frieda and Diego Rivera at the Sixth Annual Exhibition of the San Francisco Society of Women Artists. They then went to New York City for Rivera’s show at the Museum of Modern Art and later moved to Detroit for Rivera’s commission with the Detroit Institute of Arts.

In 1932, Kahlo incorporated more graphic and surrealistic elements in her work. In her painting, Henry Ford Hospital (1932), a naked Kahlo appears on a hospital bed with several items -- a fetus, a snail, a flower, a pelvis and others -- floating around her connected to her by red, veinlike strings. As with her earlier self-portraits, the work was deeply personal, telling the story of her second miscarriage.

Kahlo and Rivera’s time in New York City in 1933 was surrounded by controversy. Commissioned by Nelson Rockefeller, Rivera created a mural entitled Man at the Crossroads in the RCA Building at Rockefeller Center. Rockefeller halted the work on the project after Rivera included a portrait of communist leader Vladimir Lenin in the mural, which was later painted over. Months after this incident, the couple returned to Mexico and went to live in San Angel, Mexico.

Never a traditional union, Kahlo and Rivera kept separate, but adjoining homes and studios in San Angel. She was saddened by his many infidelities, including an affair with her sister Cristina. In response to this familial betrayal, Kahlo cut off most of her trademark long dark hair. Desperately wanting to have a child, she again experienced heartbreak when she miscarried in 1934.

She and Rivera went through periods of separation, but they joined together to help exiled Soviet communist Leon Trotsky and his wife Natalia in 1937. The Trotskys came to stay with them at the Blue House for a time in 1937 as Trotsky had received asylum in Mexico. Once a rival of Soviet leader Joseph Stalin, Trotsky feared that he would be assassinated by his old nemesis. Kahlo and Trotsky reportedly had a brief affair during this time.

Art and Self-Portraits

While she never considered herself a Surrealist, Kahlo befriended one of the primary figures in that artistic and literary movement, Andre Breton, in 1938. That same year, she had a major exhibition at a New York City gallery, selling half of the 25 paintings shown there. Kahlo also received two commissions, including one from famed magazine editor Clare Boothe Luce, as a result of the show.

Kahlo was asked to paint a portrait of Luce and Kahlo's mutual friend, actress Dorothy Hale, who had committed suicide earlier that year by jumping from a high-rise building. The painting was intended as a gift for Hale's grieving mother. Rather than a traditional portrait, however, Kahlo painted the story of Hale's tragic leap. While the work, The Suicide of Dorothy Hale (1939), has been heralded by critics, its patron was horrified at the finished painting.