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While at the pinnacle of her acting and singing career in the early 1960s, Connie Stevens dated high-profile celebrities Glenn Ford and Elvis Presley.
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Play NowConnie Stevens. (2013). The Biography Channel website. Retrieved 05:12, Jun 19, 2013, from http://www.biography.com/people/connie-stevens-591612.
Connie Stevens. [Internet]. 2013. The Biography Channel website. Available from: http://www.biography.com/people/connie-stevens-591612 [Accessed 19 Jun 2013].
"Connie Stevens." 2013. The Biography Channel website. Jun 19 2013, 05:12 http://www.biography.com/people/connie-stevens-591612.
"Connie Stevens," The Biography Channel website, 2013, http://www.biography.com/people/connie-stevens-591612 [accessed Jun 19, 2013].
"Connie Stevens," The Biography Channel website, http://www.biography.com/people/connie-stevens-591612 (accessed Jun 19, 2013).
Connie Stevens [Internet]. The Biography Channel website; 2013 [cited 2013 Jun 19] Available from: http://www.biography.com/people/connie-stevens-591612.
Connie Stevens, http://www.biography.com/people/connie-stevens-591612 (last visited Jun 19, 2013).
Connie Stevens. The Biography Channel website. 2013. Available at: http://www.biography.com/people/connie-stevens-591612. Accessed Jun 19, 2013.
Stevens was on the set of Hawaiian Eye when Presley called her and asked her out on a date. "I didn't believe it was him at first," Stevens remembers. Although they dated only sporadically for a year, her relationship with Elvis made a deep impact on Stevens. She says, "He was one of the loves of my life. I could have spent a lifetime with him."
After moving on from her flings with Ford and Presley, Connie Stevens married actor James Stacey in 1963. The couple divorced in 1966,
and a year later she married singer Eddie Fisher. They had two daughters, Joley and Tricia, before divorcing after only 18 months of marriage.
Mainstream Success
Typecast as an airheaded blonde due to her role in Hawaiian Eye, Stevens initially struggled to land more mature roles. Nevertheless, she argued fiercely with producers and directors for opportunities to play serious parts. As fellow actress Hedda Hopper put it, Stevens "looks like an apple blossom but has the wham of a bulldozer." She finally gained the legitimacy she craved when she starred opposite George Burns in the ABC series Wendy & Me (1964-1965) and in Neil Simon's 1967 Broadway play, Star-Spangled Girl. Since then, Stevens has starred in dozens of films and TV shows. Her most notable credits include Grease 2 (1982), Murder She Wrote (1985), Starting From Scratch (1988-1989) and Baywatch (1996).
Later Projects
In the late 1980s, Stevens pursued another career makeover as a businesswoman in the cosmetics industry. She founded her own cosmetics line, Forever Spring, in 1989 and quickly landed a lucrative marketing contract with the Home Shopping Network. By 2000, Forever Spring had developed into a cosmetics empire—offering over 300 products to an estimated clientele of 3 million women while racking up more than $500 million in annual sales.
In addition to her career as an entertainer and cosmetics mogul, Stevens is a lifelong public servant and philanthropist. She accompanied Bob Hope on many of his United Service Organization tours, where she entertained American troops in Korea, Vietnam and the Persian Gulf. In honor of her service with the USO, Stevens received the Decoration for Distinguished Civilian Service, the highest military honor bestowed on civilians. Her philanthropic work includes Project Windfeather, a charity that provides scholarships to Native American children, and Dignity, a foundation that offers job training for the mentally and physically challenged.
In 2009, at the age of 71, Stevens brought her career full circle to confront the traumas of her childhood. She wrote and directed Saving Grace B. Jones, a largely autobiographical film about an 11-year-old girl who witnesses a murder in Brooklyn, and goes to spend the summer with friends in Missouri. After a lifetime keeping such memories bottled up, Stevens says, "writing the screenplay was so cathartic." The film is a reminder that after a lifetime of fame and success, Stevens is still both shaped and haunted by her troubled Brooklyn childhood.
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