Christopher Marlowe biography

Synopsis

Early Years

Christopher Marlowe was born in Canterbury around February 26, 1564 (this was the day on which he was baptized). He went to King's School and was awarded a scholarship that enabled him to study at Corpus Christi College, Cambridge, from late 1580 until 1587.

Marlowe earned his bachelor of arts degree in 1584, but in 1587 the university hesitated in granting him his master's degree. Its doubts (perhaps arising from his frequent absences, or speculation that he had converted to Roman Catholicism and would soon attend college elsewhere) were set to rest, or at least dismissed, when the Privy Council sent a letter declaring that he was now working "on matters touching the benefit of his country," and he was awarded his master's degree on schedule.

Marlowe as a Secret Agent?

The nature of Marlowe's service to England was not specified by the council, but the letter sent to Cambridge has provoked abundant speculation, notably the theory that Marlowe had become a secret agent working for Sir Francis Walsingham's intelligence service. No direct evidence supports this theory, but the council's letter clearly suggests that Marlowe was serving the government in some secret capacity.

Surviving Cambridge records from the period show that Marlowe had several lengthy absences from the university, much longer than allowed by the school's regulations. And extant dining room accounts indicate that he spent lavishly on food and drink while there, greater amounts than he could have afforded on his known scholarship income. Both of these could point to a secondary source of income, such as secret government work.

But with scant hard evidence and rampant speculation, the mystery surrounding Marlowe's service to the queen is likely to remain active. Spy or not, after attaining his master's degree, Marlowe moved to London and took up writing full-time.

Early Writing Career

After 1587, Christopher Marlowe was in London, writing for the theater and probably also engaging himself occasionally in government service. What is thought to be his first play, Dido, Queen of Carthage, was not published until 1594, but it is generally thought to have been written while he was still a student at Cambridge. According to records, the play was performed by the Children of the Chapel, a company of boy actors, between 1587 and 1593.

Marlowe's second play was the two-part Tamburlaine the Great (c. 1587; published 1590). This was Marlowe's first play to be performed on the regular stage in London and is among the first English plays in blank verse. It is considered the beginning of the mature phase of the Elizabethan theater and was the last of Marlowe's plays to be published before his untimely death.

There is disagreement among Marlowe scholars regarding the order in which the plays subsequent to Tamburlaine were written.

Some contend that Doctor Faustus quickly followed Tamburlaine, and that Marlowe then turned to writing Edward the Second, The Massacre at Paris, and finally The Jew of Malta. According to the Marlowe Society's chronology, the order was thus: The Jew of Malta, Doctor Faustus, Edward the Second and The Massacre at Paris, with Doctor Faustus being performed first (1604) and The Jew of Malta last (1633).

What is not disputed is that he wrote only these four plays after Tamburlaine, from c. 1589 to 1592, and that they cemented his legacy and proved vastly influential.

The Plays

The Jew of Malta

The Jew of Malta (fully The Famous Tragedy of the Rich Jew of Malta), with a prologue delivered by a character representing Machiavelli, depicts the Jew Barabas, the richest man on all the island of Malta. His wealth is seized, however, and he fights the government to regain it until his death at the hands of Maltese soldiers.

The play swirls with religious conflict, intrigue and revenge, and is considered to have been a major influence on Shakespeare's The Merchant of Venice. The title character, Barabas, is seen as the main inspiration for Shakespeare's Shylock character in Merchant. The play is also considered the first (successful) black comedy, or tragicomedy.

Barabas is a complex character who has provoked mixed reactions in audiences, and there has been extensive debate about the play's portrayal of Jews (as with Shakespeare's Merchant). Filled with unseemly characters, the play also ridicules oversexed Christian monks and nuns, and portrays a pair of greedy friars vying for Barabas' wealth. The Jew of Malta in this way is a fine example of what Marlowe's final four works are in part known for: controversial themes.

Edward the Second

The historical Edward the Second (fully The Troublesome Reign and Lamentable Death of Edward the Second, King of England, with the Tragical Fall of Proud Mortimer) is