Charles Tiffany biography

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The son of the famous jeweler Charles Lewis Tiffany, Louis studied under the American painters George Inness and Samuel Colman and also trained as a painter of narrative subjects in Paris. That he was also influenced by a visit to Morocco is evident in some of his major works. Returning to the United States, he became a recognized painter and an associate of the National Academy of Design, New York City; later he reacted against the Academy's conservatism by organizing, in 1877, with such artists as John La Farge and Augustus Saint-Gaudens, the Society of American Artists.

Tiffany's experiments with stained glass, begun in 1875, led to the establishment three years later of his own glassmaking factory at Corona in Queens, N.Y. By the 1890s he was a leading glass producer, experimenting with unique means of colouring. He became internationally famous for the glass that he named Favrile, a neologism from the Latin faber (“craftsman”). Favrile glass, iridescent and freely shaped, was sometimes combined with bronzelike alloys and other metals; such examples, some signed “L.C. Tiffany” or “L.C.T.,” enjoyed widespread popularity from 1890 to 1915 and were revived again in the 1960s. His Favrile glass was admired abroad, especially in central Europe, where it created a new fashion.

Having established a decorating firm known as Tiffany Glass and Decorating Company, which served wealthy New Yorkers, Tiffany was commissioned by U.S. Pres. Chester A. Arthur to redecorate the reception rooms at the White House, Washington, D.C., for which he created the great stained-glass screen in the entrance hall. He designed the chapel for the World's Columbian Exposition (1893) in Chicago and the high altar in the Cathedral of St. John the Divine in New York City.

Overwhelmed by the glass display of the brilliant French Art Nouveau designer mile Gallé at the Paris Exhibition of 1889, Tiffany became interested in blown glass. From 1896 to 1900 he produced a vast amount of exquisite Favrile glass, many pieces achieving mysterious and impressionistic effects; his innovations made him a leader of the Art Nouveau movement.

Tiffany's firm was reorganized as Tiffany Studios in 1900, after which he ventured into lamps, jewelry, pottery, and bibelots. In 1911 he created one of his major achievements—a