Catherine Deneuve biography

Synopsis

Profile

Deneuve was the third of four daughters born to the French actors Maurice Dorléac and Renée Deneuve. She landed a small role in the 1957 film Les Collégiennes (The Twilight Girls) and began her film career in earnest in 1960 with an appearance in Les Petits Chats (“The Little Cats,” released in English as Wild Roots of Love). She became an international star with her acclaimed performance in director Jacques Demy's romantic classic Les Parapluies de Cherbourg (1964; The Umbrellas of Cherbourg).

During the 1960s and '70s, Deneuve was in great demand by several of the world's leading directors, such as Roman Polanski (Repulsion, 1965) and Terence Young (Mayerling, 1968). She worked for Luis Buuel on the highly acclaimed French-Italian coproduction Belle de jour (1967) and the equally acclaimed French-Italian-Spanish coproduction Tristana (1970). She appeared sporadically in American films, perhaps most memorably in The April Fools (1969) with Jack Lemmon and in Hustle (1975) with Burt Reynolds.

Despite her international résumé, most of Deneuve's films were made in France. She worked with Franois Truffaut in La Sirne du Mississippi (1969; Mississippi Mermaid) and Le Dernier Métro (1980; The Last Metro) and also appeared in Demy's Peau d'éne (1970; Donkey Skin), Jean-Pierre Melville's Un Flic (1971; Dirty Money), and Claude Berri's Je vous aime (1980; I Love You All).

Her films of the 1990s include Indochine (1992), for which she received an Academy Award nomination for best actress, and O convento (1995; The Convent), which was directed by acclaimed Portuguese filmmaker Manoel de Oliveira. Deneuve enjoyed the film Breaking the Waves (1996) so much that she asked its director, Lars von Trier, for a part in one of his films. The result was her supporting role as a factory worker and confidant to the lead character (played by Bjrk) in Dancer in the Dark (2000). Among her notable work in the early 21st century was a bravura performance at the head of a star-studded cast in Franois Ozon's 8 Femmes (2002; 8 Women) and smaller roles in de Oliveira's Je rentre la maison (2001; I'm Going Home) and Une Filme falado (2003; A Talking Picture). She later reteamed with Ozon to star as a bourgeois housewife who becomes empowered in the farcical comedy Potiche (2010).

In addition to the fame she accrued for her beauty and talent, Deneuve also attracted attention for her