Quick Facts
- NAME: Alvis Edgar Owens
- OCCUPATION: Songwriter, Guitarist, Singer, Television Personality
- BIRTH DATE: August 12, 1929
- DEATH DATE: March 25, 2006
- PLACE OF BIRTH: Sherman, Texas
- PLACE OF DEATH: Bakersfield, California
Best Known For
Buck Owens. (2012). Biography.com. Retrieved 01:36, Feb 07, 2012 from http://www.biography.com/people/buck-owens-9542362
Buck Owens [Internet]. 2012. http://www.biography.com/people/buck-owens-9542362, February 07
" Buck Owens." 2012. Biography.com 07 Feb 2012, 01:36 http://www.biography.com/people/buck-owens-9542362
' Buck Owens', Biography.com,(2012) http://www.biography.com/people/buck-owens-9542362 [accessed Feb 07, 2012]
" Buck Owens," Biography.com, http://www.biography.com/people/buck-owens-9542362 (accessed Feb 07, 2012).
Buck Owens [Internet]. Biography.com; 2012 [cited 2012 Feb 07]. Available from: http://www.biography.com/people/buck-owens-9542362.
Buck Owens, http://www.biography.com/people/buck-owens-9542362 (last visited Feb 07, 2012).
Buck Owens, http://www.biography.com/people/buck-owens-9542362 (last visited Feb 07, 2012).
Synopsis
Contents
Early Life
Country singer, songwriter, guitarist. Born Alvis Edgar Owens (professionally known as Buck Owens), on August 12, 1929, in Sherman, Texas. Raised in Arizona, Owens dropped out of school in the eighth grade, at which time he began working odd jobs. Driven by the influences of local country music, he taught himself to play both the acoustic and steel guitar. In 1945, he teamed with fellow guitarist Theryl Ray Britten; the duo performed regularly on local radio stations. During the late 1940s, Owens performed at Phoenix-area honky-tonks with the group Mac's Skillet Lickers.In 1951, Owens moved to Bakersfield, California. He briefly played with Bill Woods & The Orange Blossom Playboys before fronting his own band, The Schoolhouse Playboys. During the mid-1950s, he contributed to a number of singles produced by Capitol Records, including the 1954 Tommy Collins hit "You Better Not Do That." Other session work for the label paired Owens with Faron Young, Tommy Sands, and Wanda Jackson. On the independent label Pep, Owens began releasing his own singles, including the unimpressive covers "Down on the Corner of Love" and "Sweethearts in Heaven." Shortly after, he forged a friendship with songwriter Harlan Howard. In hopes of publishing their songs, the singer/songwriter duo formed Blue Book Music.
Commercial Success
In 1957, Owens signed a contract with Capitol Records, however, his recordings failed to find an audience. The following year, he moved to the Washington suburb of Puyallup, where he worked as a disc jockey and hosted his own live television show on KTNT in Tacoma. While living in Washington, Owens recorded the single "Second Fiddle," which climbed to No. 24 on the Billboard charts. His subsequent releases, notably "Under Your Spell Again," "Above and Beyond," and "Excuse Me (I Think I've Got a Heartache)," all charted in the Top Ten.After returning to Bakersfield, Owens released the debut album Buck Owens (1961), which featured the hit single " Foolin" Around." By fusing the sounds of classic country with rock and roll, he exhibited a modern sound with his 1962 recordings "Kickin' Our Hearts Around" and "You're for Me." The following year, he assembled his own band, The Buckaroos, which included a drummer, bassist (Merle Haggard), and a pedal steel guitarist. Their first single "Act Naturally" (1963) shot to the top of the charts and paved the way for 15 consecutive No. 1 hits, most notably "Love's Gonna Live Here" (1963); "My Heart Skips a Beat" and "Together Again" (both 1964); "I've Got a Tiger by the Tail" and "Before You Go" (both 1965). Owens continued his streak through the late 1960s with the chart toppers "Waitin' in Your Welfare Line," "Open Up Your Heart" (both 1966), "Where Does the Good Times Go," and "Sam's Place" (both 1967).
Owens (along with other artists like Merle Haggard and Tommy Collins) was credited with developing "The Bakersfield Sound" a rock-influenced interpretation
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View groupA uniquely American genre, country music got its start in the South in the early 19th century, when immigrants blended their Old World sounds with African-American musical styles. But it was the lives of the musicians, as told in their songs, that turned country into one of the best-loved musical styles in the United States. Listeners could relate to Jimmie Rodgers' stories of the railroad in "The Brakeman's Blues"; Hank Williams' struggle with depression in tunes such as "I'm So Lonesome I Could Cry"; and the promise of finding someone to rely on in George Jones' "Walk Through This World With Me." And its the universal struggles of love, loss, joy and longing found in each country song that keeps this music—and its performers—relevant throughout time.
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