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Boy George a flamboyant, androgynous British singer who once fronted the band Culture Club.
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Boy George - Full Biography (45:17)
Boy George - Full Biography
Boy George, the "Culture Club" star who shocked the world with his flamboyant style, ruled the 80s music charts with hits like "Do You Really Want to Hurt Me?" and "Karma Chameleon," but soon fell into drug addiction.
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Play NowBoy George. (2013). The Biography Channel website. Retrieved 01:47, May 24, 2013, from http://www.biography.com/people/boy-george-433170.
Boy George. [Internet]. 2013. The Biography Channel website. Available from: http://www.biography.com/people/boy-george-433170 [Accessed 24 May 2013].
"Boy George." 2013. The Biography Channel website. May 24 2013, 01:47 http://www.biography.com/people/boy-george-433170.
"Boy George," The Biography Channel website, 2013, http://www.biography.com/people/boy-george-433170 [accessed May 24, 2013].
"Boy George," The Biography Channel website, http://www.biography.com/people/boy-george-433170 (accessed May 24, 2013).
Boy George [Internet]. The Biography Channel website; 2013 [cited 2013 May 24] Available from: http://www.biography.com/people/boy-george-433170.
Boy George, http://www.biography.com/people/boy-george-433170 (last visited May 24, 2013).
Boy George. The Biography Channel website. 2013. Available at: http://www.biography.com/people/boy-george-433170. Accessed May 24, 2013.
Synopsis
Contents
Quotes
Early Life
Born George Alan O'Dowd on June 14, 1961, in Eltham, London, to parents Gerry and Dinah O'Dowd. George grew up in a lively household with his four brothers and one sister. Despite being part of the large working class Irish brood, George claims he had a lonely childhood, referring to himself as the "pink sheep" of the family.
To stand out in the male-dominated household, George created his own image on which he became dependent. "It didn't bother me to walk down the street and to be stared at. I loved it," he later reminisced.
George didn't exactly conform to the typical school student stereotype, either. With a leaning more toward arts rather than science and math, he found it hard to fit within traditional masculine stereotypes. With his schoolwork suffering, and an ongoing battle of wits between him and his teachers, it wasn't long before the school gave up and expelled George over his increasingly outlandish behavior and outrageous clothes and make-up.
Suddenly George found himself out of school, and without a job. He took any work he could find that paid him enough money to live on including a job picking fruit; a stint as a milliner; and even a gig as a make-up artist with the Royal Shakespeare Company, where he picked up some handy techniques for his own personal use.
Forming the Culture Club
By the 1980s, the New Romantic Movement had emerged in the U.K. Followers of the New Romantic period, influenced heavily by artists such as David Bowie, often dressed in grand caricatures of the 19th century English Romantic period. This included exaggerated upscale hairstyles and fashion statements. Men typically wore androgynous clothing and makeup, such as eyeliner.
The style became a calling card for George, whose flamboyance fit their beliefs perfectly. The attention the New Romantics attracted inevitably created many new headlines for the press. It wasn't long before George was giving interviews based purely on his appearance.
George's outrageous style caught the attention of Malcolm McLaren, the manager of the infamous punk group Sex Pistols. McLaren was also managing a group called Bow Wow Wow, which was fronted by Burmese sixteen-year-old Annabella Lwin. McLaren felt he needed someone to give Lwin a bit more stage and vocal presence, so he arranged for George to perform with the group.
George made a few appearances to much audience acclaim, and inevitable friction between the two big personalities began to surface. However George, by now, felt inspired to form his own group. The answer came in the form of The Sex Gang Children. Bassist Mikey Craig and drummer Jon Moss were next to join the group, followed by Roy Hay.
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