Ben Vereen biography

Synopsis

Early Life

Actor, singer, dancer. Born October 10, 1946, in Miami, Florida. While still an infant, Vereen and his family relocated to the poverty-stricken neighborhood of Bedford-Styvesant in Brooklyn, New York. During his pre-teen years, he exhibited an innate talent for drama and dance and often performed in local variety shows. At the age of 14, Vereen enrolled at the High School of Performing Arts, where he studied under world-renown choreographers Martha Graham, George Balanchine, and Jerome Robbins. Upon his graduation, he struggled to find suitable stage work and was often forced to take odd jobs to supplement his income.

Career Highlights

In 1967, the 21-year-old Vereen auditioned for and won a part in Bob Fosse's production of Sweet Charity. The following year, he was cast opposite Sammy Davis Jr. in the film adaptation. After developing a rapport with Davis, Vereen was cast as his understudy in the upcoming production of Golden Boy.

In 1971, after steady work on Broadway, Vereen earned critical recognition for his dazzling performance as Judas Iscariot in Andrew Lloyd Webber's Jesus Christ Superstar. The following year, Fosse cast him as the effervescent Leading Player in Pippin, for which he won the prestigious Tony Award for Best Actor in a Musical. In 1975, Vereen starred with Barbra Streisand in Funny Lady (the sequel to Funny Girl) and hosted the TV variety series Comin at Ya!.

In 1977, Vereen was introduced to a more mainstream audience with his crafty portrayal of Chicken George in Alex Haley's landmark TV miniseries Roots. Following a well-deserved Emmy nomination for his work in Roots, he was cast opposite Jeff Goldblum in the short-lived detective series Tenspeed and Brownshoe (1980). During the late 1980s and early 1990s, Vereen worked steadily on television with projects ranging from the sitcom Webster to the drama Silk Stalkings.

Personal Issues

Despite his professional accomplishments, Vereen found himself in the midst of controversy in 1981, when he performed in blackface at the inauguration of President Ronald Reagan, an act that outraged many African-Americans.