Artie Shaw biography

Synopsis

Early Life

Bandleader, clarinetist, composer, writer. Born Arthur Jacob Arshawsky on May 23, 1910, in New York, New York. Sometimes referred to as the King of the Clarinet, Artie Shaw was one of the leading jazz performers and bandleaders of the swing era of the 1930s and 1940s. Born on New York’s Lower East Side, he was the only child of Jewish immigrants from Russia and Austria.

The family eventually moved to New Haven, Connecticut, where Shaw spent many of his formative years. A shy child, he was deeply hurt by the anti-Semitic taunts from his schoolmates. Shaw was further wounded when his father abandoned the family.

While he learned the ukulele early on, Shaw first started getting serious about playing music when he took up the saxophone. He later moved on to the clarinet. Around the age of 15, he quit school to learn to become a better musician. Shaw listened to such jazz greats as Bix Beiderbecke and Louis Armstrong in an effort to improve his own playing. Moving to Cleveland, he eventually found work with Austin Wylie, a well-known bandleader. In addition to his music, Shaw was an avid reader and maintained literary aspirations.

Aspiring Musician

In 1928, Shaw won a trip to Hollywood as part of an essay contest. He met up with some musicians he had known back east. These musicians were with Irving Aaronson’s band, and Shaw joined the group the following year. While with Aaronson, he listened to and learned about the works of such composers as Igor Stravinsky and Claude Debussy. The band spent time in Chicago and then went to New York in 1930. Going out on his own, Shaw soon became an in-demand studio session musician and radio performer. He was briefly married to Jane Cairns in 1932, but that union was later annulled.

Shaw took a break from music for a time, choosing to live in Bucks County, Pennsylvania, and focus on his writing. He also tried his hand at marriage again in 1934—this time he wed to Margaret Allen. (The couple divorced in 1937.) Before long, he was back in New York City’s thriving music scene. Shaw invited to participate in a 1935 swing concert at the Imperial Theatre. He put together a band, consisting of a string quartet and a rhythm section, and wrote a special composition, “Interlude in B Flat,” for the event. Little known at the time, Shaw was on the same bill as Tommy Dorsey and other popular swing acts. His band, however, gave one of the night’s most memorable performances, and the audience was just wowed by their only song.

Rise to Fame

This led to Shaw starting his own band. Around this time, he became Artie Shaw. He originally used Art Shaw as a stage name, but he was told that the name sounded like a sneeze. Reworking the music of Cole Porter, Richard Rodgers, and Jerome Kern among others, Shaw made these standards swing. He scored his first big success in 1938 with his version of Porter’s “Begin the Beguine.”

Around this time, Shaw hired up-and-coming African American jazz singer Billie Holiday as the vocalist for his band. He was one of the first big band leaders to try to integrate his group, but Holiday eventually quit after encountering racial prejudice while on the road, especially in the South. She did, however, stick around long enough to record one of Shaw’s most famous songs, “Any Old Times,” with the band.

Soon tired of all of the attention, Shaw became irritated with his fans, calling them “morons.” Shaw walked off stage in 1939 during a gig in New York City and went to Mexico. After a few months, Shaw resurfaced, returning to fulfill his contract obligations with his recording company RCA Victor. He scored a hit with a song he discovered in Mexico called “Frenesi.”

More hits followed, Shaw soon cemented his status as one of the most popular figures in swing music. His success rivaled the other big names of the time, such as Benny Goodman and Glenn Miller. Since both he and Goodman were clarinetists, the rivalry was more intense between them. While he respected Goodman’s technical abilities, Shaw