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Titian Biography

orig. Tiziano Vecellio

(1488 - 1490)

Related Works

1510 Le concert Champêtre (Louvre, Paris)
c.1515–18 The Feast of Venus (Prado, Madrid)
1516–18 The Assumption of the Virgin (Sta Maria dei Frari, Venice)

c.1518 The Bacchanal (Prado, Madrid)
c.1520 Man with a Glove (Louvre, Paris)
c.1523 Bacchus and Ariadne (National Gallery, London)
1534–8 The Presentation of the Virgin (Accademia, Venice)
c.1538 Venus of Urbino (Uffizi, Florence)
1543 Ecce Homo (Kunsthistorisches Museum, Vienna)
1570 The Fall of Man (Prado, Madrid)
1570 Christ Crowned with Thorns (Alte Pinakothek, Munich)

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Related People

Giorgione

(born 1488/90, Pieve di Cadore, Republic of Venice—died Aug. 27, 1576, Venice) Italian painter active in Venice. As a young man he was taught by the Bellini family and worked closely with Giorgione. His early works are so similar in style to Giorgione's as to be indistinguishable, but soon after Giorgione's early death Titian established himself as the leading painter of the Republic of Venice. Among his most important religious paintings is the revolutionary and monumental Assumption (1516–18) for Santa Maria dei Frari, in which the Virgin ascends to heaven in a blaze of colour accompanied by a semicircle of angels. Titian was also interested in mythological themes, and his many depictions of Venus display his work's sheer beauty and inherent eroticism. Bacchus and Ariadne (1520–23), with its pagan abandon, is one of the greatest works of Renaissance art. Titian was sought after for his psychologically penetrating portraits, which include portrayals of leading Italian aristocrats, religious figures, and Emperor Charles V. He reached the height of his powers in The Rape of Europa ( 1559–62), one of several paintings done for Philip II of Spain. He was recognized as supremely gifted in his lifetime, and his reputation has never declined.