T.S. Eliot Biography

in full Thomas Stearns Eliot

(1888 - 1965)

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Table Of Contents

Related Works

  • Poetry
  • 1917 Prufrock and Other Observations
  • 1919 Poems
  • 1920 Ara Vos Prec
  • 1922 The Waste Land
  • 1925 The Hollow Men
  • 1925 Poems 1909-25
  • 1936 Collected Poems 1909-35
  • 1943 Four Quartets
  • 1963 Collected Poems 1909-62
  • Poetry for Children
  • 1939 Old Possum's Book of Practical Cats
  • Essays
  • 1920 The Sacred Wood
  • 1924 Homage to John Dryden
  • 1928 For Lancelot Andrewes: Essays on Style and Order
  • Critical Works
  • 1933 The Use of Poetry and the Use of Criticism
  • 1934 After Strange Gods: A Primer of Modern Heresy
  • 1939 The Idea of a Christian Society
  • 1948 Notes Towards a Definition of Culture
  • 1957 On Poetry and Poets
  • 1965 To Criticize the Critic
  • Plays
  • 1932 Sweeney Agonistes: An Aristophanic Fragment
  • 1934 The Rock
  • 1935 Murder in the Cathedral
  • 1939 The Family Reunion
  • 1950 The Cocktail Party
  • 1954 The Confidential Clerk
  • 1959 The Elder Statesman
» More

(born September 26, 1888, St. Louis, Missouri, U.S.—died January 4, 1965, London, England) American-English poet, playwright, literary critic, and editor, a leader of the modernist movement in poetry in such works as The Waste Land (1922) and Four Quartets (1943). Eliot exercised a strong influence on Anglo-American culture from the 1920s until late in the century. His experiments in diction, style, and versification revitalized English poetry, and in a series of critical essays he shattered old orthodoxies and erected new ones. The publication of Four Quartets led to his recognition as the greatest living English poet and man of letters, and in 1948 he was awarded both the Order of Merit and the Nobel Prize for Literature.

Early years

Eliot was descended from a distinguished New England family that had relocated to St. Louis, Missouri. His family allowed him the widest education available in his time, with no influence from his father to be “practical” and to go into business. From Smith Academy in St. Louis he went to Milton, in Massachusetts; from Milton he entered Harvard in 1906; he received a B.A. in 1909, after three instead of the usual four years. The men who influenced him at Harvard were George Santayana, the philosopher and poet, and the critic Irving Babbitt. From Babbitt he derived an anti-Romantic attitude that, amplified by his later reading of British philosophers F.H. Bradley and T.E. Hulme, lasted through his life. In the academic year 1909–10 he was an assistant in philosophy at Harvard.

He spent the year 1910–11 in France, attending Henri Bergson's lectures in philosophy at the Sorbonne and reading poetry with Alain-Fournier. Eliot's study of the poetry of Dante, of the English writers John Webster and John Donne, and of the French Symbolist Jules Laforgue helped him to find his own style. From 1911 to 1914 he was back at Harvard reading Indian philosophy and studying Sanskrit. In 1913 he read Bradley's Appearance and Reality; by 1916 he had finished, in Europe, a dissertation entitled “Knowledge and Experience in the Philosophy of F.H. Bradley”. But World War I had intervened, and he never returned to Harvard to take the final oral examination for the Ph.D. degree. In 1914 Eliot met and began a close association with the American poet Ezra Pound.

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