Miles Davis Biography

in full Miles Dewey Davis III

(1926–1991)

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Related Works

  • Albums
  • 1952 Young Man With A Horn
  • 1952 The New Sounds Of Miles Davis
  • 1953 Miles Davis Vol. 2
  • 1953 Miles Davis With Horns
  • 1953 Blue Period
  • 1953 Miles Davis Plays Al Cohn Compositions
  • 1953 Miles Davis Quintet
  • 1953 Miles Davis Quintet Featuring Sonny Rollins
  • 1954 Miles Davis Vol. 3
  • 1954 Miles Davis Sextet
  • 1954 Jeru
  • 1954 Miles Davis Vols. 1 & 2
  • 1955 Walkin'
  • 1955 Miles Davis All Stars Vol. 1
  • 1955 Miles Davis All Stars Volume 2
  • 1955 Blue Moods
  • 1955 Musings Of Miles
  • 1956 Miles Davis And The Modern Jazz Giants
  • 1956 Dig Miles Davis/Sonny Rollins (with Sonny Rollins)
  • 1956 Workin'
  • 1956 Collectors Item
  • 1956 Steamin'
  • 1956 Cookin'
  • 1956 Relaxin'
  • 1956 Miles - The New Miles Davis Quintet
  • 1956 Blue Haze
  • 1956 The Birth Of The Cool (recorded 1949-50)
  • 1956 Miles
  • 1956 Miles Davis And Horns
  • 1956 Quintet/Sextet
  • 1957 Cookin' With The Miles Davis Quintet
  • 1957 Bags Groove
  • 1957 Round About Midnight
  • 1957 Miles Ahead
  • 1958 '58 Miles
  • 1958 Miles Davis And The Modern Jazz Giants
  • 1958 Miles And Coltrane (with John Coltrane)
  • 1958 Milestones
  • 1958 Porgy And Bess
  • 1959 Workin' with The Miles Davis Quintet
  • 1959 Kind Of Blue
  • 1960 Sketches Of Spain
  • 1960 On Green Dolphin Street
  • 1960 Live In Zurich
  • 1960 Live In Stockholm 1960
  • 1961 Miles Davis In Person
  • 1961 Someday My Prince Will Come
  • 1961 Steamin' With The Miles Davis Quintet
  • 1962 The Beginning
  • 1962 At Carnegie Hall
  • 1963 Seven Steps to Heaven
  • 1963 Diggin'
  • 1963 Quiet Nights
  • 1964 Miles In Antibes
  • 1964 Miles And Monk At Newport (with Thelonious Monk)
  • 1964 Miles Davis In Europe
  • 1964 My Funny Valentine
  • 1964 ‘Four’ And More
  • 1965 ESP
  • 1965 Miles Davis Plays For Lovers
  • 1965 Jazz Classics
  • 1966 Miles Smiles
  • 1967 Sorcerer
  • 1967 Nefertiti
  • 1968 Miles In The Sky
  • 1968 Filles De Kilimanjaro
  • 1969 In A Silent Way
  • 1969 Double Image
  • 1969 Paraphernalia
  • 1969 Bitches Brew
  • 1970 At The Fillmore
  • 1971 A Tribute To Jack Johnson
  • 1971 What I Say? Vols. 1 & 2
  • 1972 Live-Evil
  • 1972 On The Corner
  • 1973 Tallest Trees
  • 1973 In Concert
  • 1974 Black Beauty
  • 1974 Big Fun
  • 1974 Get Up With It
  • 1974 Jazz At The Plaza Vol. 1
  • 1976 Agharta
  • 1976 Pangaea
  • 1976 Live At The Plugged Nickel
  • 1977 Water Babies
  • 1979 Circle In The Round (recorded 1955-70)
  • 1981 Directions
  • 1981 Man With The Horn
  • 1981 A Night In Tunisia
  • 1982 We Want Miles
  • 1983 Star People
  • 1983 Blue Christmas
  • 1983 Heard 'Round The World
  • 1984/6 Blue Haze
  • 1985 At Last
  • 1984 Decoy
  • 1985 You're Under Arrest
  • 1986 Tutu
  • 1988 Music From Siesta '88
  • 1989 Amandla
  • 1989 Aura
  • 1989 Mellow Miles (recorded 1961-63)
  • 1989 Ballads (recorded 1961-63)
  • 1990 The Hot Spot
  • 1991 Dingo
  • 1993 Doo-Bop
  • 1993 Live In Europe
  • 1993 Miles And Quincy Jones Live At Montreux (with Quincy Jones, recorded 1991)
  • 1995 The Complete Live At The Plugged Nickel 1965
  • 1995 Highlights From The Plugged Nickel
  • 1996 Live Around The World
  • Compilations
  • 1989 The CBS Years 1955-1985
  • 1990 The Collection
  • 1993 Gold Collection
  • 1996 Ballads And Blues
  • 1996 This Is Jazz No. 8 - Miles Davis Acoustic
  • 1996 Miles Davis And Gil Evans: The Complete Columbia Studio Recordings
  • 1998 Panthalassa (1969-74)
» More
Miles Davis

(born May 26, 1926, Alton, Ill., U.S.—died Sept. 28, 1991, Santa Monica, Calif.) American jazz musician, a great trumpeter who as a bandleader and composer was one of the major influences on the art from the late 1940s.

Starting out

Davis grew up in East St. Louis, Ill., where his father was a prosperous dental surgeon. (In later years he often spoke of his comfortable upbringing, sometimes to rebuke critics who assumed that a background of poverty and suffering was common to all great jazz artists.) He began studying trumpet in his early teens; fortuitously, in light of his later stylistic development, his first teacher advised him to play without vibrato. Davis played with jazz bands in the St. Louis area before moving to New York City in 1944 to study at the Institute of Musical Art (now the Juilliard School)—although he skipped many classes and instead was schooled through jam sessions with masters such as Dizzy Gillespie and Charlie Parker. Davis and Parker recorded together often during the years 1945–48.

Davis's early playing was sometimes tentative and not always fully in tune, but his unique, intimate tone and his fertile musical imagination outweighed his technical shortcomings. By the early 1950s Davis had turned his limitations into considerable assets. Rather than emulate the busy, wailing style of such bebop pioneers as Gillespie, Davis explored the trumpet's middle register, experimenting with harmonies and rhythms and varying the phrasing of his improvisations. With the occasional exception of multinote flurries, his melodic style was direct and unornamented, based on quarter notes and rich with inflections. The deliberation, pacing, and lyricism in his improvisations are striking.

Cool jazz and modal jazz

In the summer of 1948, Davis formed a nonet that included the renowned jazz artists Gerry Mulligan, J.J. Johnson, Kenny Clarke, and Lee Konitz, as well as players on French horn and tuba, instruments rarely heard in a jazz context. Mulligan, Gil Evans, and pianist John Lewis did most of the band's arrangements, which juxtaposed the flexible, improvisatory nature of bebop with a thickly textured orchestral sound. The group was short-lived but during its brief history recorded a dozen tracks that were originally released as singles (1949–50). These recordings changed the course of modern jazz and paved the way for the West Coast styles of the 1950s. The tracks were later collected in the album Birth of the Cool (1957).

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