Laurence Olivier Biography

in full Laurence Kerr Olivier also called (1947–70) Sir Laurence Olivier

(1907 - 1989)

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Related Works

  • Films
  • 1931 The Yellow Passport (US the Yellow Ticket)
  • 1933 Perfect Understanding
  • 1933 No Funny Business
  • 1936 Moscow Nights
  • 1936 As You Like It
  • 1937 Fire Over England
  • 1937 Twenty-One Days (aka The First and the Last)
  • 1938 The Divorce of Lady X
  • 1939 Wuthering Heights
  • 1940 Rebecca
  • 1940 Pride and Prejudice
  • 1941 That Hamilton Woman (UK Lady Hamilton)
  • 1941 49th Parallel
  • 1943 The Demi-Paradise
  • 1944 Henry V
  • 1948 Hamlet
  • 1952 Carrie
  • 1952 The Beggar's Opera
  • 1955 Richard III
  • 1957 The Prince and the Showgirl
  • 1959 The Devil's Disciple
  • 1960 The Entertainer
  • 1960 Spartacus
  • 1962 Term of Trial
  • 1965 Bunny Lake is Missing
  • 1965 Othello
  • 1966 Khartoum
  • 1968 Dance of Death
  • 1968 The Shoes of the Fisherman
  • 1969 Oh What a Lovely War
  • 1969 Battle of Britain
  • 1970 Three Sisters
  • 1971 Nicholas and Alexandra
  • 1972 Lady Caroline Lamb
  • 1972 Sleuth
  • 1976 The Seven Per Cent Solution
  • 1976 Marathon Man
  • 1977 A Bridge Too Far
  • 1977 The Betsy
  • 1978 The Boys From Brazil
  • 1979 A Little Romance
  • 1979 Dracula
  • 1980 The Jazz Singer
  • 1981 Clash of the Titans
  • 1981 Inchon
  • 1984 The Bounty
  • 1985 The Jigsaw Man
  • 1985 Wild Geese II
  • 1988 War Requiem
  • Television
  • 1958 John Gabriel Borkmann
  • 1972 Long Day's Journey into Night
  • 1973 The Merchant of Venice
  • 1975 Love Among the Ruins
  • 1976 Jesus of Nazareth
  • 1976 The Collection
  • 1976 Cat on a Hot Tin Roof
  • 1976 Hindle Wakes
  • 1977 Come Back Little Sheba
  • 1977 Daphne Laureola
  • 1977 Saturday Sunday Monday
  • 1981 Brideshead Revisited
  • 1982 A Voyage Round My Father
  • 1983 King Lear
  • 1984 The Ebony Tower
  • 1986 Lost Empires
» More

(born May 22, 1907, Dorking, Surrey, England—died July 11, 1989, near London) a towering figure of the British stage and screen, acclaimed in his lifetime as the greatest English-speaking actor of the 20th century. He was the first member of his profession to be elevated to a life peerage.

The son of an Anglican minister, Olivier attended All Saints Choir School, where at age nine he made his theatrical debut as Brutus in an abridgement of Shakespeare's Julius Caesar. Five years later he played the female lead in The Taming of the Shrew at Oxford's St. Edward's School, repeating this performance at the Stratford Shakespeare Festival. These early stage appearances did not go unnoticed by the theatrical notables of the era, who encouraged Olivier to consider acting as a profession. At first he dismissed the notion, hoping to follow the example of his older brother by managing an Indian rubber plantation; but his father, who had heretofore been ambivalent on the subject of acting, all but demanded that young Laurence embark upon a stage career.

Olivier enrolled at the Central School of Dramatic Art in 1924, then began his professional career with the Birmingham Repertory Theatre Company (1926–28). Three years later he made his first significant West End appearance, playing the title role in a staging of P.C. Wren's Beau Geste. Also in 1929, he made his Broadway debut in Murder on the Second Floor. Having acted in British films from 1930, he was briefly signed by Hollywood's RKO Radio Pictures in 1931, but he failed to make much of an impression at this early date. What could have been his first Hollywood break in Metro-Goldwyn-Mayer's Queen Christina (1933) was scuttled when star Greta Garbo vetoed Olivier as her leading man in favour of her former lover John Gilbert.

During this period Olivier broadened his acting range by tackling difficult classical roles; he also chose to accept character parts that allowed him to hide what he considered his shortcomings behind heavy makeup and false beards. As he gained confidence in himself and his craft, audiences responded positively to him. The theatre critics also liked his work, though their comments were guarded and often compared Olivier unfavourably to such contemporaries as John Gielgud and Ralph Richardson. He scored a significant triumph as star of an unabridged 1937 staging of Hamlet. He returned to Hollywood to play the tormented Heathcliff in Samuel Goldwyn's production of Wuthering Heights (1939). This time around, movie audiences took notice, and Olivier's subsequent international stardom was a fait accompli.

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