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(Hilaire Germain) Edgar Degas Biography

in full Hilaire-Germain-Edgar De Gas later Degas

(1834 - 1917)

Table Of Contents

Related Works

  • Paintings
  • 1879 Jockeys in the Rain (Glasgow Museum and Art Gallery, Scotland)
  • 1855–6 Portrait of the Duchess of Morbilli (Louvre, Paris)
  • 1860 Young Spartans Exercising (National Gallery, London)
  • 1870–3 Carriage at the Races (Museum of Fine Arts, Boston)
  • 1874 Ballet Rehearsal on Stage (Musée d'Orsay, Paris)
  • 1875 In a Café (Musée d'Orsay, Paris)
  • Danseuse au repos (Private Collection)
  • 1879 Miss La La at the Cirque Fernando
  • 1880 Dancer lacing her Shoe (Musée d'Orsay, Paris)
  • 1886 The Tub (Musée d'Orsay, Paris)
  • c.1890 After the Bath, Woman drying herself
  • 1896 Combing the Hair
  • 1899 Russian Dancers
  • 1907 Ballet Scene (National Gallery of Art, Washington, DC)
  • Sculpture
  • 1881 Young Dancer at Fourteen (Tate, London)
  • c.1900 Dancer Looking at the Sole of her Foot (Metropolitan Museum of Art, New York City)
» More

(born July 19, 1834, Paris, France—died September 27, 1917, Paris) French painter, sculptor, and printmaker who was prominent in the Impressionist group and widely celebrated for his images of Parisian life. Degas's principal subject was the human—especially the female—figure, which he explored in works ranging from the sombre portraits of his early years to the studies of laundresses, cabaret singers, milliners, and prostitutes of his Impressionist period. Ballet dancers and women washing themselves would preoccupy him throughout his career. Degas was the only Impressionist to truly bridge the gap between traditional academic art and the radical movements of the early 20th century, a restless innovator who often set the pace for his younger colleagues. Acknowledged as one of the finest draftsmen of his age, Degas experimented with a wide variety of media, including oil, pastel, gouache, etching, lithography, monotype, wax modeling, and photography. In his last decades, both his subject matter and technique became simplified, resulting in a new art of vivid colour and expressive form, and in long sequences of closely linked compositions. Once marginalized as a “painter of dancers,” Degas is now counted among the most complex and innovative figures of his generation, credited with influencing Pablo Picasso, Henri Matisse, and many of the leading figurative artists of the 20th century.

Beginnings

Born in Paris just south of Montmartre, Degas always remained a proud Parisian, living and working in the same area of the city throughout his career. Though detailed knowledge of his middle-class family is limited, it is known that they maintained the outward forms of polite society and that they were related to minor aristocracy in Italy and to the business community in New Orleans, Louisiana, U.S. The family was also prosperous enough to send Degas in 1845 to a leading boys' school, the Lycée Louis-le-Grand, where he received a conventional classical education. Music featured prominently in the Degas home, where the artist's mother sang opera arias and his father arranged occasional recitals, one of which is represented in Degas's painting of 1872, Lorenzo Pagans and Auguste De Gas. The artist's mother died when he was 13 years old, leaving three sons and two daughters to be brought up by his father, a banker by profession. Knowledgeable about art but conservative in his preferences, Degas's father helped to develop his son's interest in painting and in 1855 encouraged him to register at the École des Beaux-Arts under the supervision of Louis Lamothe, a minor follower of J.-A.-D. Ingres. Surviving works from this period show Degas's aptitude for drawing and his attention to the historical precedents he viewed in the Louvre. He also began his first solemn explorations of the self-portrait.

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