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(born June 8, 1867, Richland Center, Wisconsin, U.S.—died April 9, 1959, Phoenix, Arizona) architect and writer, the most abundantly creative genius of American architecture. His “Prairie style” became the basis of 20th-century residential design in the United States.
Wright's mother, Anna Lloyd-Jones, was a schoolteacher, aged 24, when she married a widower, William C. Wright, an itinerant 41-year-old musician and preacher. The Wrights moved with their infant son, Frank Lincoln (he would later change his middle name to Lloyd), to Iowa in 1869 and then lived successively in Rhode Island and Weymouth, Massachusetts, before eventually moving back to Wright's mother's home state of Wisconsin. The young Wright attended the University of Wisconsin at Madison for a few terms in 1885–86 as a special student, but as there was no instruction in architecture, he took engineering courses. In order to supplement the family income, Wright worked for the dean of engineering, but he did not like his situation nor the commonplace architecture around him. He dreamed of Chicago, where great buildings of unprecedented structural ingenuity were rising.
Wright left Madison early in 1887 for Chicago, where he found employment with J.L. Silsbee, doing architectural detailing. Silsbee, a magnificent sketcher, inspired Wright to achieve a mastery of ductile line and telling accent. In time Wright found more rewarding work in the important architectural firm of Dankmar Adler and Louis Sullivan. Wright soon became chief assistant to Sullivan, and in June 1889 he married Catherine Tobin. He worked under Sullivan until 1893, at which time he opened his own architectural practice. His family grew to six children, while his firm grew until as many as 10 assistants were employed.
The first work from the new office, a house for W.H. Winslow, was sensational and skillful enough to attract the attention of the most influential architect in Chicago, Daniel Burnham, who offered to subsidize Wright for several years if Wright would study in Europe to become the principal designer in Burnham's firm. It was a solid compliment, but Wright refused, and this difficult decision strengthened his determination to search for a new and appropriate Midwestern architecture.
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